I sometimes surprise myself when I come across great advice from the most unlikely of sources. Case in point, while watching one of my favorite video game reviewers, Zero Punctuation, I came across this little gem of writing advice.
“Is this the most interesting period of your character’s life and if not why aren’t you showing us that?”
Now let that sink in a little bit and if you have heard it before kudos for you. I had never heard it, but now that I have I feel silly that I hadn’t come upon it in my own way. I know as a writer I can get bogged down in trying to convey to my reader all the machinations that went on in my heard to get my characters to this point. This information can be useful, even necessary at some times but it should not come at the expense of keeping the readers’ interest meter in the red. The good news is as the writer if these periods aren’t the most interesting I can certainly make them that way. Details are not interesting. Characters and events are. A simple rule and a helpful one to keep on an index card by your computer monitor.
This also leads me to the use of prologues. A couple of my novels (currently shelved ones if that says anything) do make use of prologues, but I find myself drifting away from them. Think of it like this. How would you feel if your significant other came home from work one day and said? “I have the most interesting story about something that happened at work today, but before that, let me tell you how I got the job in the first place.” Kind of a buzz kill ain’t it. Before the comments section fills with angry protests on the right to prologue existence there are times when the prologue can be a very effective tool and fundamental part of the work, but it must be interesting. That is after all the message of that little gem of advice above.